atonement

Of Arrows, Psyche, and Moments of Empathy, Grace and Redemption…

The outset of the Greek myth of Eros and Psyche, shows Eros leaning over the sleeping mortal, Psyche, and fervently prepared to strike Psyche with one of his arrows and create a wound that will command her to fall in love with a beast.

Eros’s mother, Aphrodite sent him on this mission out of her jealousy of the beautiful, young Psyche.

And yet something about Psyche and/or her beauty evoked sorrow in Eros.

A silent knowing moved between them even with Psyche asleep and her eyes closed.

Perhaps he saw himself, weak and driven at the merciless hand of his mother, Aphrodite’s less than virtuous and ethical desires.

Though Eros is careful and quiet,

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Of Swords, Inner Demons and the Waters of Renewal…

The area of a novel that follows climax brings renewal. Yet writing this part of the story gets tricky.

Rolling towards the finish line authors can easily lose control of the narrative. We must remain upon the horse of our story.

Climax has delivered a delayed and second crisis a second form of transformation, what some might call the aftershocks of the major earthquake of the peak crisis bringing everything to its head.

In this way novels can be seen to have three major crises or turning points from which others hurricanes or twisters of change spin off.

First comes the initial shake up, the initiating problem that rises from the dilemma rooted in back-story. Then comes the arc of action where the protagonist meets with her or his archenemy, that from which she or he has been running or pursuing the length of the story.

Then comes the crisis.

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