contract

Of Prodigies, The US Secret Service, and Living Without Acting …

I suspect that much like the authors, actresses and actors, receive payment for their services in much the same fashion, and timing as Scott Pratt describes in a post on his blog, The Writer’s Predicament.

He writes: “ … And the advance money? The fifty thousand? This is how they [the publisher] doled it out. Twelve thousand five hundred on signing the contract, $7,500 upon final acceptance of the manuscript, and

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Of Contract Negotiations, Cyril Connolly, and Vivekananda…

What caught my attention in a recent article on author Janet Evanovich, more specifically her asking price for the rights to publish her next 4 novels–$50 million from St. Martin’s Press–were the complaints and criticism concerning the quality of Evanovich’s recent novels launched by many who described themselves as loyal fans.

In toto, most stated that recent installments of her Stephanie Plum Series , the latest installment being, Sizzling Sixteen, had grown flat with the protagonist, Stephanie Plum, growing stagnant and not evolving.

Some even stated that it was clear to them she had been writing with her focus on fulfilling her contract obligation rather than providing fans with an engaging and entertaining story.

This all brings me to the point of where does one, more specifically the writer/author, draw the line between meeting the demands of their contract and providing readers with what they have come to expect and you, as well as they know you can achieve?

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