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Of Writing, Integrity and The Company We Keep…

“When we set out to judge—ridicule pillory, condemn, sneer at or…impugn our characters–we fail at our objective. Instead of making our characters look bad we make ourselves suspect.”
—-Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers

We are known by the company we keep. In the case of a writer, that company consists of our characters and our attitude towards them.

Simply put, what kind of person would choose to writer 60,000 words, or there about, centered on a person or persons our words demonstrate that we dislike, hold little or no respect for, or even loathe?

Would you as a reader trust anything this writer has to say?

Of Writing, Integrity and The Company We Keep… Read More »

Of Symbols, Change and Arc of Growth and Transformation…

The display the revelations that take place during the denouement and resolution, end, of a novel must take place in scene, not summary.

End of story revelations work much like the action taking place during the crisis and climax points where the immediacy of the characters’ actions impress upon readers the significance and meaning of the ordeal the central character/characters are undergoing, surviving and ultimately growing stronger by enduring.

Just as the crisis and climax point of a novel provide places of major transition and transformation, so to the revelations presented during denouement and at resolution offer one last stage of growth and change.

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Of Revelations, Redemption and Grace…

The greatest revelation in a novel often comes, quite understandably, during the end. The context in which this occurs involves releasing underlying knowledge, all of which provides the stage upon where the ultimate truth of everyone’s motives comes forth.

Protagonists that draw on our senses and emotions not only face tough dilemmas and challenges they also encounter wonderfully treacherous antagonists whose actions force the main character to dig deep within themselves, assess and display their strengths.

Of Revelations, Redemption and Grace… Read More »

The Muse, Mystery and Grace…

“It isn’t easy. Nobody has ever done it consistently. Those who try hardest, scare it off into the woods. Those who turn their backs and saunter along, whistling softly between their teeth, hear it treading quietly behind them, lured by a carefully acquired disdain.

We are speaking, of course, of The Muse.”

–Ray Bradbury, Zen in the Art of Writing/Essays on Creativity

Many people imagine the life of a writer as one of awakening each morning to a flowing stream of words that pour onto our writing tablet or through our fingers and onto the computer string, our greatest challenge being that of writing or moving our fingers quick enough on the computer keys to catch the words.

There are times like that. But more often than not, we struggle to find those words that ideally give readers a smooth ride into the escape of our stories and novels.

A more honest way of describing what we do is to say that the smoother our sentences flow and the more intense a readers entrancement into at story, the more the writer toiled at kneading and carving that ease of journey presented in the magic carpet of our words.

But what of The Muse?

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Motion, Identification and The Inertial Frame of Reference…

“Everything moves. Everything …motion is just a manifestation of going from one spot to another spot in space. When we are trying to understand motion all of the things that we measure from have to come from an inertial frame of reference. An inertial frame of reference is a reference frame that is moving at a constant speed and not changing direction.”

–Motion and Relativity, Dr. Charles Liu, Research Associate @ the Department of Astrophysics, American Museum of Natural History

The backbone of a story, particularly an entertaining and engaging one is motion, movement from one place in conscious and consensual reality to another.

Amplifying the reader’s engagement with the internal movement of the story, the emotional thread requires clarification of setting and displaying the subtle shifts that take place and occur in perception of setting reflective of one’s internal changes.

These changes are usually transmitted, or rather shown through the eyes and physical senses of the protagonist who is also the point-of-view character.

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Blogging, Promoting, Revising and Editing…

Whatever difficulties we have experienced with editors writers need the help of editors.

An unedited book placed on the market for public purchase diminishes our integrity as writers and demeans the skill to crafting fiction to which we aspire.

If writing a book was as simple as putting the words on paper and sending it out, then everyone would have published a book.

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Of Spirals, Parking Garages, and Points of Entry and Identification…

The road that led your protagonist away at the opening of your novel or story brings her or him home again during the final stage, but at a new level of awareness.

And since time has moved forward, while the central character has been gone, we could entitle the journey, Back to the Future and Home Again.

The central character of the story has traveled in a spiral, moving both vertically and horizontally.

They have broadened their perspective. This encompasses the circular motion of the spiral. Read the rest of this entry…

Of Spirals, Parking Garages, and Points of Entry and Identification… Read More »