Category: … anjuellefloyd …
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Of Sword Fights, The Himalayas, And so on… And so on…
Have you ever watched a scene from a movie where two sword fighters are going at it? And then they begin to move up the stairs, one sword fighter, moving in reverse up the incline of the steps, danger closing in, his back against the wall of conflict? Remember how you felt? Your chest growing…
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Protected: Of Pacing, Tension and the All-Important Artistry of Holding the Reader’s Attention…a
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Of “Android Karenina,” Content, and the Ability to Imagine…
“Imitate form, not content. The tendency to imitate form and not content seems to relate directly to talent.” –Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers The present world of fiction sees many young writers interweaving the works of previous writers into the young author’s new creation. I…
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Of Writing, Cinema, and What Only Books Can Provide…
Hay-on-Wye Cinema Bookshop “If books merely convey plots and characters why in the age of cinema read a book? What can books give us that movies can’t? In two words: beautiful writing?“ —Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers I diligently pondered this question while working my…
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Of Reversals, Plausible Endings and the Artistry of Thwarting Expectations…
“A successful resolution thwart the our expectation; it doesn’t (fully) satisfy them.”—-Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers Reversals sit at the heart of a successful resolution. And since novels consist of a continual list of crises fostered by a string of obstacles, both physical and human…
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Motion, Identification and The Inertial Frame of Reference…
“Everything moves. Everything …motion is just a manifestation of going from one spot to another spot in space. When we are trying to understand motion all of the things that we measure from have to come from an inertial frame of reference. An inertial frame of reference is a reference frame that is moving at…