Tag: central character
-
Of Agape, Climax, and Transubstantiation…
With the passing of crisis come celebration, perhaps a love scene. Survival or resurrection from death provides the central character a wider scope of consciousness. Personal concerns no longer drive the protagonist. Those of the community dominate her or his thoughts and actions instead. Agape love now influences their choices and behavior. Personal suffering has…
-
Of Crises, Experience and Goals…
Surviving a crisis bestows special knowledge garnered and held by few. It also grants admittance into various orders of wisdom yielded by experience. Every novel or story a writer crafts tells the life of a certain crisis, and chronicles a central character’s survival of that crisis. The process of writing that novel flows out of…
-
Of Intermediate Regions, Hunger and Thirst…
There stands an intermediate region in the life and structure of a novel, that place between crossing the border of the opening and beginning and entering into a series of actions that lead to the penultimate center of the journey. It lies between the edge of that vast new world of survival that constitutes the…
-
Of Clarity and Understanding, Guide and Map, Epiphany and Plot…
Reaching that point where the protagonist has made the change, we, as writers feel differently. We see the world of our novel from another level. Ideally we come to hold those dimensions of personality regarding our central character(s) come in greater clarity and understanding. And yet this is also a place where we can get…
-
Of Idiosyncracies, Formidable Personalities and Specifics
Describing an experience or person as bad or terrible will not suffice in fiction writing. Writing that the foster parents in a novel are mean or horrible does not flesh out the unique idiosyncrasies of their formidable personalities. Let us turn to the context of the orphan in a less than ideal foster home.
-
Of Crevices, Cracks and Teflon…
Symbols deepen what we, as readers, come to know and experience with a character. But what makes us feel with and for her, or him [the protagonist]–cry with them, scream for them, die with them? What ultimately moves and transforms us, the reader, along with the central character of a story, or novel? Certainly obstacles…
-
Of Talismans, Symbols and Goals
Every good story possesses not only a character, who through the author’s lucid and vibrant descriptions, draws us to root for her or him, but who also reflects aspect of ourselves with whom we have yet to make peace, or accept. The protagonists of these stories also face a formidable opponent, a living, and breathing…