crisis

Of Peeling Onions, Surrender and Writing from The Zone…

The stage of renewal in a story offers a second opportunity for rebirth. Unlike the crisis, the scenes of renewal focus on the inner life of the major character.

Through the action of deciding and choosing to share the good news of her or his triumph in both word and deed, the protagonist now heads down a road, the path and events of which are shaped and influenced more by internal changes than those physically committed.

Renewal signals the time in a story or novel where the central character surrenders to the nuclear fall out, so to speak, of her or his actions.

He or she has carried out the physical task set forth by the changes and upheaval leveled at the outset of the story.

At the peak of action she or he dueled her their enemies and/or central antagonist.

In the wake of triumph she/he has made decisions reflective of their survival and the wisdom granted by having battled through the crisis.

Of Peeling Onions, Surrender and Writing from The Zone… Read More »

Of Swords, Inner Demons and the Waters of Renewal…

The area of a novel that follows climax brings renewal. Yet writing this part of the story gets tricky.

Rolling towards the finish line authors can easily lose control of the narrative. We must remain upon the horse of our story.

Climax has delivered a delayed and second crisis a second form of transformation, what some might call the aftershocks of the major earthquake of the peak crisis bringing everything to its head.

In this way novels can be seen to have three major crises or turning points from which others hurricanes or twisters of change spin off.

First comes the initial shake up, the initiating problem that rises from the dilemma rooted in back-story. Then comes the arc of action where the protagonist meets with her or his archenemy, that from which she or he has been running or pursuing the length of the story.

Then comes the crisis.

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Of Dimensions of Experience, Mystery and Feet of Practicality…

Climax follows a time a crisis.

As the story heads for resolution the protagonist must decide how she or he will evidence not only their survival and triumph of the great battle she or he has fought, but how they will manifest those that shift in consciousness, that change of heart, in a way that will allow the experience to remain alive within them.

Then, and only then, can she, or he truly know the victory over death whose roots lie in fear, doubt and disbelief.

So many times we sabotage ourselves into thinking that we less than what we are.

Likewise we ground our identity of who we are and our purpose in life on the erroneous belief that we do not matter, and that what we have to offer means little if anything.

This is often the case for writers and artists of many kinds.

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Of Envy, Doubt, and Still More Risks…

Following crisis, the protagonist must choose, decide and act. Will she or he return to business as usual, keeping secret what they have learned, or will they share it with others?

Will they share the healing they have undergone with others, or will she or he choose the safe path of saying little or nothing about the internal changes that have reshaped them?

Risks come with sharing the good news of our survival of any upheaval or time of broad sweeping changes. We face the possibility of those we tell refusing to believe us.

Those who do may grow envious, and then exploit the doubts still others hold and turn who groups of people against us.

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Of Agape, Climax, and Transubstantiation…

With the passing of crisis come celebration, perhaps a love scene. Survival or resurrection from death provides the central character a wider scope of consciousness.

Personal concerns no longer drive the protagonist. Those of the community dominate her or his thoughts and actions instead. Agape love now influences their choices and behavior.

Personal suffering has yielded a greater respect and understanding of those aches and pains that affect, and beset the collective. From this emerges empathy guided by the wish to heal.

Of Agape, Climax, and Transubstantiation… Read More »

Of Crises, Experience and Goals…

Surviving a crisis bestows special knowledge garnered and held by few.

It also grants admittance into various orders of wisdom yielded by experience.

Every novel or story a writer crafts tells the life of a certain crisis, and chronicles a central character’s survival of that crisis. The process of writing that novel flows out of an upheaval, the completion of which involves many obstacles that reach a crescendo of conflict and tension.

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Of Easter, The Vedas, and Passion…

The roots of Easter morning lie in the sad and turbulent time extending from when Christ, with his crown of thorns, was led to the cross, fastened upon it, nails holding him in place, and then allowed to die.

This horrific time includes the moment in which the Son of Man, utters, “It is done,” onto Mary arriving, as promised, at the tomb, and to surprisingly discover the huge stone slab rolled away.

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