protagonist – Page 4 – Anjuelle Floyd

Of Pawns, Rooks, Knights and Bishops…

3 Comments / Articles and Essays / Anjuelle Floyd

This weekend I played my first game of chess.

My eldest now 23 learned the game from my husband. Like the cello, I have always admired people who played chess.

It truly is a game of thought, forethought and reasoning. Unlike the game of checkers that I learned as a child and play with my youngest who is eleven, chess pieces have names and characters.

Like the elements of fiction, these characters or pieces have 1 or 2 directions in which you can move them, defined tasks that propel the plot of the game.

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Of John Gardner, Writing and The Worm Hole Experience…

2 Comments / Articles and Essays, Musings / Anjuelle Floyd

“Any event that seems to the given writer startling, curious, or interest-laden can form the climax of a possible story.”

–John Gardner in The Art of Fiction

Climax is that place in the story or novel where the protagonist, the main character, reveals in action, that she or he has integrated knowledge gained through the experience of the journey.

Through thought, word, and deed, the central character shows she or he has been changed, transformed. It follows crisis.

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Of Narrative, Journeys, and What Compels Us to Write…

1 Comment / Articles and Essays / Anjuelle Floyd

“Make up a story. Narrative is radical, creating us at the very moment it is being created.”

–Toni Morrison, Nobel and Pulitzer Prize-winning author

The protagonist, in reaching home, during this last chapter of the journey, must evidence that she or he has traveled, not simply waited steps beyond home, seconds beyond the gates of the home native city and after sufficient time to have journeyed far, they reappear with their tale.

Just as the central character must evidence the crisis has transformed her or his way of thinking regarding making decisions, so too, when reaching home again, she or he must demonstrated they have traveled, that they have truly been away.

Often when we travel we bring back gifts for those we love.

The gifts come from the places we have been, where our itinerary of travel has taken us.

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Of Spirals, Parking Garages, and Points of Entry and Identification…

Leave a Comment / Articles & Essays / Anjuelle Floyd

The road that led your protagonist away at the opening of your novel or story brings her or him home again during the final stage, but at a new level of awareness.

And since time has moved forward, while the central character has been gone, we could entitle the journey, Back to the Future and Home Again.

The central character of the story has traveled in a spiral, moving both vertically and horizontally.

They have broadened their perspective. This encompasses the circular motion of the spiral. Read the rest of this entry…

Of Spirals, Parking Garages, and Points of Entry and Identification… Read More »

Of Spirals, Parking Garages, and Points of Entry and Identification…

3 Comments / Articles and Essays / Anjuelle Floyd

The road that took the protagonist away, during the final stage of the novel, brings her or him home again, but at a new level of awareness.

And since time has moved forward, while the central character has been gone, we could entitle the journey, Back to the Future and Home Again.

The central character of the story has traveled in a spiral, moving both vertically and horizontally.

They have broadened their perspective. This encompasses the circular motion of the spiral.

Of Spirals, Parking Garages, and Points of Entry and Identification… Read More »

Of Swords, Inner Demons and the Waters of Renewal…

1 Comment / Articles and Essays / Anjuelle Floyd

The area of a novel that follows climax brings renewal. Yet writing this part of the story gets tricky.

Rolling towards the finish line authors can easily lose control of the narrative. We must remain upon the horse of our story.

Climax has delivered a delayed and second crisis a second form of transformation, what some might call the aftershocks of the major earthquake of the peak crisis bringing everything to its head.

In this way novels can be seen to have three major crises or turning points from which others hurricanes or twisters of change spin off.

First comes the initial shake up, the initiating problem that rises from the dilemma rooted in back-story. Then comes the arc of action where the protagonist meets with her or his archenemy, that from which she or he has been running or pursuing the length of the story.

Then comes the crisis.

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Of Dimensions of Experience, Mystery and Feet of Practicality…

1 Comment / Articles and Essays / Anjuelle Floyd

Climax follows a time a crisis.

As the story heads for resolution the protagonist must decide how she or he will evidence not only their survival and triumph of the great battle she or he has fought, but how they will manifest those that shift in consciousness, that change of heart, in a way that will allow the experience to remain alive within them.

Then, and only then, can she, or he truly know the victory over death whose roots lie in fear, doubt and disbelief.

So many times we sabotage ourselves into thinking that we less than what we are.

Likewise we ground our identity of who we are and our purpose in life on the erroneous belief that we do not matter, and that what we have to offer means little if anything.

This is often the case for writers and artists of many kinds.

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