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Of Reversals, Plausible Endings and the Artistry of Thwarting Expectations…

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“A successful resolution thwart the our expectation; it doesn’t (fully) satisfy them.”—-Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers

Reversals sit at the heart of a successful resolution. And since novels consist of a continual list of crises fostered by a string of obstacles, both physical and human writers must embed our stories with a minefield of reversals.

But what is the true nature of a reversal?

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Of Writing, Integrity and The Company We Keep…

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“When we set out to judge—ridicule pillory, condemn, sneer at or…impugn our characters–we fail at our objective. Instead of making our characters look bad we make ourselves suspect.”
—-Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers

We are known by the company we keep. In the case of a writer, that company consists of our characters and our attitude towards them.

Simply put, what kind of person would choose to writer 60,000 words, or there about, centered on a person or persons our words demonstrate that we dislike, hold little or no respect for, or even loathe?

Would you as a reader trust anything this writer has to say?

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Of Plot, Authenticity, and Knowing Who We Are…

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“A story should generate it’s own actions and emotions organically…A story should be authentic…made of stuff that has never been appropriated from other forms of narrative art…other stories…movies or television. Or it has it should be sufficiently re-processed through the author’s unique sensibilities so the resulting work has its own authenticity.”

–Peter Selgin, 179 Ways to Save a Novel: Matters of Vital Concern to Fiction Writers

A story should have it’s own unique characters and plot.

Well if this be the case why are writers encouraged to read for more than the experience of learning writing technique?

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Of Setting, Change, Action, and Dilemmas…

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What creates setting, both physical and emotional?

And what goes into creating a setting that stimulates a reader to feel?

What is the challenge of creating a formative and transformative setting?

What needs to remain static and constant in a setting?

And what needs to cry out for change?

These questions point out the importance of setting and the challenge of meeting the needs that setting addresses in a story or novel.

John Truby, author of The Anatomy of Story: 22 Steps to Becoming a Masterful Storyteller, advises that the setting of a novel needs to include 2-3 separate and distinct places.

His belief debunks the idea that a good story needs to have a list of settings in order to sustain interest and hold the reader’s attention.

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Of Mars in Cancer, Courts of Change, and Travels…

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Every story is like a court case wherein we, the author, like an attorney, tries a case of our protagonist.

Who is on trial?

Is your protagonist the defendant or the plaintiff seeking judgment and damages for a wrong committed upon her or him?

If she or his had been wronged then what was the crime and the injury inflicted?

Who committed the injustice?

What cries out for change?

Is this injustice still occurring at the outset of the novel?

If so what does the central character need to accomplish to stop the wrongful act?

The story we craft becomes our protagonist’s quest, their journey to achieve justice and survival, a tale of change and transformation.

Of Mars in Cancer, Courts of Change, and Travels… Read More »

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