Screenwriters hold a wealth of knowledge that benefits the fiction writer. Screenwriter and playwright, Kendall Williams who runs Morningside Writers’ Group sees himself as a dramatist-teacher. Along with facilitating fiction writers and memoirists to learn the basics of story telling–character, plot, point of view, dialogue, setting, and theme, Kendall also teaches workshop participants how to […]
The Screenwriter and the Fiction Writer Read More »
The novel or short story is first and foremost a source of entertainment, what consumers turn to among myriad of choices, to provide rest and relaxation, from a world moving at breakneck speed. To insure the most comfortable reading experience, writers want to offer a story with interesting plot, centered on characters about the reader
Flexibility and the Writers Capacity for Growth and Learning Read More »
A poorly written story or a novel with gaps in plot structure or characters that act incongruent to the personality established at the outset of the work are like a movie that appears fuzzy on the screen, out of view and unfocused. Developmental editors like Linda Beed can spot these malfunctions in story and suggest
The Developmental Editor, The Copy Editor Read More »
Fiction is not just the record of an event; it is the interpretation of the meaning of that event by someone. The biases and convictions of that filtering consciousness will express a truth the story cannot do without—and you get to manipulate that! How fun! –Dianne Orsini, Professor of English and Creative Writing Teacher My
The Filtering Consciousness of Your Characters Read More »
Stories come to us in many ways. Some of us receive them in images, others in certain ideal we desire to see played out. Some of us get the plot. And the some of us get taken by a character that won’t let us go. They fill our thoughts and days. We listen to them
Have Character, But No Story? Read More »
We’ve all heard as writers that character feeds, or drives plot. But how often does someone show us how this occurs? As a psychotherapist, wife and mother of 3 along with being an author I’ve given a lot of thought to this. Also my stories a heavily character driven. I think an awful lot about
Character Drives Plot: How? Read More »
Dialogue has to show not only something about the speaker that is its own revelation, but also maybe something about the speaker that he doesn’t know but the other character does know. –Eudora Welty Good dialogue accomplishes 4 things in fiction: reveals and develops character delivers backstory drives Plot directs pace But there are more
Dialogue: More than Conversing Read More »