dreams

…the writing life… | “Bollywood, The Hijinks of Thrillers, and Definition…”

I am always amazed how much screen time Bollywood movies donate to establishing and clarifying family relations of the film’s protagonist compared to the nil to absent mention of family connections in American movies.

The protagonist of an American made movie can be undergoing the direst and most despairing of circumstances and the screenplay makes no mention of mother, father, sister, or brother. Often very little time or explanation is given to the ex-spouse or ex-significant other, unless she or he is central to the plot.

Where Bollywood movies perhaps overdramatize the gifts and goodness of family, American theater emphasizes the need to break away and discover who one truly is.

…the writing life… | “Bollywood, The Hijinks of Thrillers, and Definition…” Read More »

…Married Life-why i write… | “Antonya Nelson, Escapism, and The New Frontier…”

During a recent interview for The Writer Magazine, short story writer, Antonya Nelson, also dubbed, “…master of domestic drama…” received the received the statement, “…your work focuses on family-centered problems. Sue Miller has said men used to light out for the territories, but that ‘home’ is the new frontier.”

To the interviewer, Sarah Anne Johnson’s question, “Do you agree?” Nelson responded, “I write about families because that’s what I know. I’m very glad other writers are writing about other things and places, adventures abroad, wars and plagues and science and zombies. But what I know intimately, what I can report on honestly, what I think about endlessly, is the relations among people who are attached to one another helplessly by faithfulness and need, as well as wrestling a contrary urge to be individuals. Family dramas are always positing the self vs. community, private vs. the public, and most importantly, the head vs. the heart.”
–A Gift for the Short Form, by Sarah Anne Johnson, The Writer Magazine, September 2010

Reading this I knew immediately that Antonya Nelson was someone whose work I needed to start reading, not simply and so much from my perspective as a writer, but as a person who loves reading about families working it out, trying to work it out, sometimes, and oftentimes failing to work it out.

I am also a writer, who as a wife of 28 years and mother of 3, ages 11, 18, and 23, continually ponders and explores the nature of the marriage relationship, connections that spin and sprout from this union and how ripples in this union spread to those interactions of family members surrounding them.

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Of Dreams, Making them Real and What We Are Willing to Pay…

I recently read two articles on acclaimed mystery author, Janet Evanovich, the first stating that she had requested $50 million from her then publisher St. Martin’s Press to renew her contract, the second, published some weeks later, announcing that in response to St. Martin’s had refusing the requested amount, Evanovich had subsequently returned to Bantam/Random House Publishers where she first began her career.



While the first article had ended with ponderings of whether Evanovich would receive her request from St. Martin’s, particularly in this poor economy, the second article carefully stated that no one privy to the proceedings had released details of what Evanovich would receive from Bantom/Random House.

My husband, on hearing the details of the articles, responded with, “$50 million dollars? You must have your numbers wrong. Are you sure you read the article correctly?”

Questioning the figure myself, or rather my ability to remember what I saw, I returned to the website where I had read the articles and then announced to him that I was correct. “Wow!” He shook his head, adding, “She must sell an awful lot of books,” referring to Evanovich.

And she has done that. But obviously not enough for St. Martins to grant her request.

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Of Turning Points, Disclosures and Amplifying Conflict…

Revelations in a novel not only reveal character, but also ideally raise the stakes, up the ante, so-to-speak, which ultimately intensifies conflict.

The opening revelation and/or those of the first chapters of a novel establish the chaos that has befallen your protagonist, i.e. display the problem she or he is facing.

Disclosures during the middle of your story widen the deepen the borders of the problem, thereby expose more of your protagonist’s–personality, weakness and strengths, hopes and fears.

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Of Bishops, Kindreds Spirits and the Dawning of Awareness…

The Bishop in chess moves diagonally along the squares of the chessboard until it encounters another playing piece.

The various directions in which the Bishop can move create a cross upon the chess board. Less powerful than the Queen or Rook, one Bishop equals the strength of a Knight or 3 Pawns. Like the Rook, Queen, Knight and Pawns of the same color or player, the Bishop seeks to protect the King from capture.

Each player has two Bishops.

While one Bishop stands between the Knight and the Queen the second Bishop stands on the other side of the Queen and beside the King.

In this way the Bishop is the piece or character after the Queen to hold close proximity to the King.

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“The House”, Kindle, i-Pads and Nooks…

In the next 3 months my second book, a novel, The House will be available for purchase. I say the next 3 months because in the vein of remaining honest, I am not certain what exact date this latest edition of The House will be available for consumers to purchase.

I must remain true to establish integrity. Integrity means more to an entrepreneur than gold.

And in working to publish The House I have become an entrepreneur.

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Of Mantras, Writing, and Knowing When to Tell…

Your story lives within you. Write with it rather than about it.

–Martha Alderson of Plotwhisperer for Writers and Readers

“Don’t talk your story out. Write it.” I heard that a lot during my participation in many writing workshops, but not so much like the almost broken mantra, “Show. Don’t tell,” regarding the development of scenes.

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