… anjuellefloyd …

Why Do I Write and What is My Process? | Eliza Earsman

About the Author:

Scottish Ritual Freemasonry: a group that tries fervently to stay under the radar!

There is awareness and recognition that the details involved in www.elizaearsman.com and the frequently updated www.elizaearsmanbooks.wordpress.com
affect us all.

I have done much to enhance international communication.

In 2005 I made sure the details of Days of Elijah: A True Story were lodged with The Institute of War Documentation in Holland.

History is proving that the details are correct but that public reaction time is much too slow.

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Anjuelle Floyd as Guest Blogger @ “Project to Published”

Take a peak at my guest blog in the series Project to Published at The Thirteenth Chime/Emma Michaels’ Blogspot .

Emma Michaels is the author of The Thirteenth Chime about a college coed prepared to graduate, enjoy a relaxing summer with her friend, and marry, but whose world is turned upside down when an antique clock mysteriously chimes thirteen times and someone attacks them, sending Stephanie and her mother to the hospital.

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Self-Publishing v. Traditional Publishing

Self-Publishing v. Traditional Publishing

What are the differences between traditional publishing and self-publishing?

Where do the two converge?

Where do they stand distinct?

What if your book is non-fiction or fiction?

How does this affect they way to seek to bring it to print?

How do you balance marketing your book–fiction or non-fiction–with writing the book?

Can authenticity and embedding a bit of yourself–who you truly are–in your promotion tactics create an effective marketing strategy, one that pays off in both the establishment of your brand, and achieves the sale of books?

Non-fiction author Sharon Saylor, and fiction writer, Anjuelle Floyd will address these questions during Self-Publishing v. Traditional Publishing, a discussion hosted and moderated by Elizabeth Stark Powers, author of Shy Girl: A Novel, writing teacher, and founder of Book Writing World.
http://www.bookwritingworld.com

Date: Saturday, September 11, 2010
Time: 9am PDT, 10am MT, 11am CDT, 12 pm EDT

To listen to, or join this online meeting go to:
https://bookwritingworld.webex.com/bookwritingworld/j.php?ED=140042922&UID=490696632&PW=NYTY5YTRmZmQ3&RT=MiM0

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Of Fiction, Facebook and Potential Consumers of Our Writing…

Authors and publishers must be willing to provide a well crafted and substantive product in both are to thrive and achieve financial success in the 21st century marketplace.

This takes time.

Authors must also fine and devise ways to remain in contact with our readers. The Internet becomes our godsend in this respect.

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Why Do I Write & What Is My Process–by Emily Kennedy

I come from a family of writers, though none of them knew it. They hid their thoughts, so eloquently expressed in letters packed carelessly in cardboard boxes and stashed in a hot and dusty attic. I found these letters from the twenties, forties, fifties when I was settling my aunt’s estate. They were there with my own, the ones I sent her throughout my childhood. I was faithful if not completely in command of my words then. I can tell that I tried to sound literary, even when describing a trip to the movies or a problem with my sister.

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Katherine Harms–writer aboard S/Y No Boundaries

When I first began writing, I wanted to write, because I wanted to have published something.

In 2000, I started writing, because I had something to say.

In 2000, during Lent I studied the life of Hannah, the mother of Samuel as a model for making sacrifices.

By the autumn, I was working on a novel about Hannah.

I had discovered that her faith journey in ancient Israel had many parallels with the faith journey of a woman in the twenty-first century, despite the three millennia that separated Hannah and me.

In 2004, my book, Hannah’s Journal, placed third in a field of 270 entries in the Christian Writers Guild First Novel Contest.

That book is still unpublished, but my success in the contest invigorated me.

I soon tackled two more novels, which are at present unfinished. The reason is that I continued to develop a better sense of direction as a writer.

In the beginning, I almost dismissed my non-fiction writing as busy work, something to do when I couldn’t think of any stories.

I wrote meditations, prayers, worship guides, articles and teaching plans.

While I struggled with the problems of plot, character development, setting, dialogue and so forth that are part of the craft of a fiction writer, I wrote commentary and background spontaneously, as a natural outgrowth of my research.

One day I had the mind-boggling revelation that it was possible to be a successful writer without selling a novel.

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Of Dreams, Making them Real and What We Are Willing to Pay…

I recently read two articles on acclaimed mystery author, Janet Evanovich, the first stating that she had requested $50 million from her then publisher St. Martin’s Press to renew her contract, the second, published some weeks later, announcing that in response to St. Martin’s had refusing the requested amount, Evanovich had subsequently returned to Bantam/Random House Publishers where she first began her career.



While the first article had ended with ponderings of whether Evanovich would receive her request from St. Martin’s, particularly in this poor economy, the second article carefully stated that no one privy to the proceedings had released details of what Evanovich would receive from Bantom/Random House.

My husband, on hearing the details of the articles, responded with, “$50 million dollars? You must have your numbers wrong. Are you sure you read the article correctly?”

Questioning the figure myself, or rather my ability to remember what I saw, I returned to the website where I had read the articles and then announced to him that I was correct. “Wow!” He shook his head, adding, “She must sell an awful lot of books,” referring to Evanovich.

And she has done that. But obviously not enough for St. Martins to grant her request.

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